Later, when I connected the camera to my computer, and looked at the images, I thought they were kind of boring… typical, bad photos.
But after an hour or so, when I zoomed out, something happened.
I started to see shapes — not content.
A different narrative, about movement and pavement and cracks and stripes.
I think I saw what the algorithm sees.
I desaturated all the images to enhance that effect / affect. What it reveals is pretty magnificent, I find.
I have a few projects in mind for this gadget, with Laura Forlano, and I imagine we’ll continue to document the process at the Critical Futures Lab once it’s up and running…